Day Two – Print
Demonstrations, Paper Documentation, and Color Separation
Two days into my
15 day artist residency I find my hands dirty. Dirty from ink, sink
water, and upside down demo plates. Today the students were shown the
process of reductive relief cut.
The
Process of reduction printing is a method used in relief printmaking.
In relief prints, cuts are made into the flat surface of the block
and ink is then rolled across the surface. Any area that is not cut
away will pick up the ink, but the ink will not go down into the cut
lines. When run through a press it transfers the ink to paper
creating the print.
As
art teachers we find ourselves creating lesson plans and
presentations, trying to teach students new methods and ideas, but
art sometimes is better shown than spoken.
Yesterday
wasn't just filled with creating excitement and understanding, but
words of, “ I can't do this” and “ You expect us to do what”?
But
teaching for several years now, doesn't mean I don't fall flat. In
demos today I found myself with an upside down print, printing on wet
ink, and messy paper, while telling my students, “Don't do what I'm
doing, this is just for demo purposes”. In art we make mistakes,
and teaching isn't just about the project, it's about moving forward
in our mistakes.
Hearing
those students words as a teacher can be a blow to the creative
spirt, but today through cutting, rolling, and printing student's
brains began to understand the processes around printing plates.
”I
can't do this”, turned into “I have this idea”.
Some
ideas shared in public and others relieved in torn up notebooks,
either or drawings have started. Ideas of ballet flamingos, laughing
crying people, and dragons filled with checker boards.
What
makes a good art teacher, but also what makes a good art student?
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